As a writer of shorter fiction I obviously hope that readers will want to buy and read short stories. I’m currently reading Elizabeth’s Strout’s Olive Kitteridge, which you will see described as a novel but is actually made up of short stories. All feature the character Olive Kitteridge, but each can stand alone. I wonder if the book would have been so successful if it had been promoted as a collection of short stories rather than a novel!
Anyway, I look forward to reading new short stories in 2018. The longlist for the Galley Beggar short story prize has just been announced, and all are available to read here.
I also greatly look forward to the posthumous publication in June of a new book of short stories by Helen Dunmore:
Girl, Balancing and Other Stories
The Christmas season is nearly over, but before you let it go enjoy Helen Dunmore’s story A House by the Sea, published by The Independent in 2008.
As a writer, I’m delighted to see the rise and rise of independent publishers. My indie publisher of the year is
Galley Beggar Press
Sam and Elly at Galley Beggars publish brilliant books – I haven’t been disappointed once. And they also respond personally to their customers. Next year they’re doing even more to support writers with their new School offering mentoring, classes and more – read all about it on their website.
Earlier this month I wrote about joining when The Lonely Crowd, when my story The Wood has Ears, The Field has Eyes was published in the magazine of that name.
I’ve now written an essay about how I came to write the story and you can read it here
That particular story is one of what I hope will be a collection of short stories inspired by the work of Hieronymus Bosch. Read more about how that came about in my essay.
Owls feature in Bosch’s work and in mine. They are beautiful creatures – but are they always benign?
Statue on flying buttress, St John’s Cathedral, Den Bosch, The Netherlands
(Photo: Cath Barton)
While you’re here, do hop over to my Stories page for links to my latest flash fiction on-line.
Choosing where to submit stories is a tricky business. On the whole I now avoid US-based publications and websites, because I’ve found that most Americans (or at least editors!) don’t seem to ‘get’ my writing. It’s good to see more and UK-based websites (as well as others around the world) publishing short stories and flash fiction and one of my favourites is Fictive Dream.
The Editor, Laura Black, is one of the best I have come across, professional, generous and supportive.
I feel privileged to have my work included on the site – you can read two of my stories there, Tracks and Mrs Myfanwy Pritchard.
I’m also delighted that Laura has accepted a story from me for Fictive Dream’s Flash Fiction February 2018, which will feature a new piece of flash fiction every day of that month. You can submit until the end of December – see the link above.
Jonathan Gibbs, author of the novel Randall, a wonderful re-imagining of the world of the Young British Artists in the 1990s, has set up a weekly newsletter which generously offers an opportunity to any of us to draw up a personal anthology of 12 short stories. I jumped straight in and my personal anthology was sent out by Jonathan last week.
I relished the chance to revisit stories which have stuck in my mind since I first read them, some many years ago, others more recently. My chosen stories are:
- At Sea, Guy de Maupassant
- Rikki-Tikki-Tavi, Rudyard Kipling
- The Luncheon, W. Somerset Maugham
- A Child”s Christmas in Wales, Dylan Thomas
- Curl up and Dye, Fran Landsman
- Ernesto, Juana Adcock
- Wires, Jon McGregor
- The Semplica Girl Diaries, George Saunders
- Tiger Palace, Kirsty Logan
- Sound Waves, Lane Ashfeldt
- The Cruellne, James Clammer
- Two, Joanna Walsh
Read more about my choices here – I also give links to where you can read and/or buy them.