The importance of taking a break

We all need to recharge our batteries from time to time. To take a holiday. But you don’t necessarily need to go away from home to do this; you just need to change your routine.

For a writer, taking a break is important. Take your brain elsewhere for a bit.

I’m taking a break from writing fiction during August. My draft novel is out with beta readers, so it’s a perfect time for me to do something else. Okay, I have one flash fiction story to edit and one review to write. But otherwise I shall be reading, walking and attempting to teach myself to play the mandolin.

Happy August, everyone!

I’m Author of the Month!

Remiss of me not to post this sooner, as July is rushing to its end. But better late than never.

I’m Author of the Month for July with Welsh Libraries.

Read their interview with me here.

It’s lovely to get more coverage for my book In the Sweep of the Bay, and also to do my little bit to encourage more young people to read. Our public library service is a treasure for children and adults alike. Use it or lose it!

Meanwhile, you can still buy In the Sweep of the Bay direct from the publisher, Louise Walters Books, or from any good bookshop.

My first book, The Plankton Collector, is also still available, and Waterstones currently have it on offer in their sale at just £2!

Happy summer reading, everyone!

Disclaimer: Not a book by me!

My writing week

Here’s my writing plan for the week:

Monday: Draft my ‘homework’ for Writing Group tomorrow. Prompt is ‘intolerable’ or ‘workload’ or both! It’ll be a flash fiction, though there’s always the possibility it could be the start of something longer. I’ll gather a couple of random words to help me on the way.

Finish a first read of the Flash Fiction Festival anthology which I’m due to review for Sabotage Reviews. 

Scribble first thoughts for a novelette for Lucent Dreaming contest.

Tuesday: Read through/revise my homework. Writing Group.

Wednesday: Go for a hill walk – great for clearing the head as well as essential exercise.

Thursday: Coffee with a friend – lots of chat about books.

Concert in Cardiff: pianist Llyr Williams  

Friday: Read submissions to my story competition, select a winner and publish!

Write review of Llyr Williams’ concert for Wales Arts Review

Saturday: Writing group in Pontypool.

Write review of Flash Fiction Festival anthology.

Sunday: Get going on the novelette!

What I’m reading this week: The Golden Notebook by Doris Lessing

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Photo copyright Cath Barton

 

 

 

The Many Facets of the Writing Life

Where did the last three months go?

May was mainly about Italy and flash fiction, retreating in the idyllic (but rather cold and wet!) setting of Casperia in the Sabine Hills north of Rome, in the company of ace tutors Kathy Fish and Nancy Stohlman and an inspiring group of fellow writers. Lots started there that will surely bear fruit in the future. And at the end of the week we got to read our work in a bookshop in Rome!Reading in RomeReading in the Otherwise Bookshop, photo courtesy of Jayne Martin

June went by in a flurry of visits to Hay to hear writers many and various speaking, London – where I met up with my publisher number 2 Louise Walters and her team at a book launch for Laura’s Laakso‘s Fallible Justice, and Bristol for more flash fiction and meet-ups with writing friends at the 2019 Flash Fiction Festival.

July has been about edits for novella number 2 and reading, lots of reading. As one of the team of judges for the Not the Booker prize last year, I get to help select one of the shortlist for this year’s prize. Our choice will be revealed very soon!

Now to get on with some new writing…

 

Guest post: Interview with author Mike Scott Thomson

It’s good to hear different voices on the site. Here’s what English author Mike Scott Thomson has to say about his writing:

CB: I’ve read and enjoyed your stories in Visual Verse – you obviously like responding to pictures and do so imaginatively and in vivid prose. Have you used picture prompts much for other stories you’ve written?

MST: Thank you for your kind words, Cath. For me, picture prompts have provided a useful exercise in letting those creative energies flow: to build a brand new story, which I might not have thought to write otherwise. They can also provide fresh ideas, boost confidence, and are a brilliant method to get that keyboard tapping. I should use them more often.

What other kinds of stimuli do you use for your writing?

My fictions tend to arise from all sorts of different sources: perhaps a blurry, re-imagined glimpse from hazy memories; perhaps an overheard snatch of conversation, or an intriguing bon mot, stripped of its original context; however, instead it often comes from a slab of bureaucratic lunacy to which I cannot help but administer a good old British lampooning. For example, my story which won the inaugural ‘To Hull and Back’ humorous short story competition stemmed from an occasion at work where we were made to express our activities as a fraction of an integer onto a timesheet coded with 14 different colours, then upload them to a shared disc drive defined by a dollar sign, a wiggly squiggle and a pair of square brackets. Figuring out what that meant proved fruitless for the purpose it was intended, but I did get a good comic story out of it.

Of the books you’ve read this year, which one would you most recommend and why?

Jasper Fforde’s ‘The Eyre Affair’, and also its first three sequels. They’re full of literary references, are extremely funny, and Fforde himself is a superb plotsmith. Prior to reading them, I ploughed through Charlotte Bronte’s ‘Jane Eyre’, under the impression some background knowledge would be helpful. As it turned out, that wasn’t entirely necessary; his books are a good way to glean a broad understanding of the classics without having to embark on marathon reading sessions. (That said, I did like Jane Eyre too.)

If you could have three wishes granted for your writing, what would they be?

Well, I’m still haunted by the events of W.W. Jacob’s ‘The Monkey’s Paw’, having first read it decades ago. If I did indeed wish for flawless first drafts, a lucrative lifetime publishing deal, and hundreds of millions of impatient and adoring readers, then what macabre consequences would accompany such desires? (Besides, it’d be cheating.) Instead, I’d wish to become more of a morning person (so I can fit in writing shifts before starting the commute), an approximate 10% increase in self-confidence in my writing ability (too much would be damaging, I feel), and a fervent desire that nobody in the world – ever, ever again, ever – misspells my surname with a ‘p’.

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Bio: Mike Scott Thomson’s short stories have been published by journals and anthologies, and have won or placed in a few competitions, including ‘To Hull and Back’, InkTears, and Writers’ Village. Based in south London, he works in broadcasting. You can find him online at http://www.mikescottthomson.com and on Twitter at @michaelsthomson.