My novella, The Plankton Collector, is out in the world. Flying free, as of today.
I”m very proud of this wee book.
Read about it here
Order your copy here
Post your rating and review here
Here’s a little story that I wrote a couple of years back for Zeroflash.
He appears in front of me, between two blinks of an eye. I see his feet first. Clown’s feet in big shoes. They flap as he walks towards me. His white mouth stretches into a grimace and he holds out a hand. He’s shaking and I feel his fear. I take his hand and it’s stone cold. I want to say how cold it is and that I can give him gloves, but he shakes his head and glitter falls from his curly hair, falls onto his feet and onto my feet. And then we’re running together, hand in hand, his shoes slapping on the ground, and we dodge the people who turn and stare and – I’m glad about this – his hand is warming up.
We’ve run into the castle grounds and I know where he’ll be safe. I lead him there, my sad clown. I’m thinking about how I’ll cover him with dry leaves while I go and fetch a blanket. But he’s shaking his head again, he’s reading my thoughts and he waggles a finger back and forth. I want to say he needs a blanket, but he snuggles into the leaves and I can see that he doesn’t. I try to pull the gate closed but it’s so old and rusted it won’t budge. It’s getting dark now and I tell him I have to go home.
People are shouting in the streets but I ignore them. I go to bed but I can’t sleep. I’m thinking about my clown and about how cold his hand had been.
In the morning I go back. There are sticks, broken sticks thrown over the leaves. They look like broken bones. I blink and he’s standing there, just for a moment. Glitter lands on my shoes. I blink. He’s gone.
It’s good to hear different voices on the site. Here’s what English author Mike Scott Thomson has to say about his writing:
CB: I’ve read and enjoyed your stories in Visual Verse – you obviously like responding to pictures and do so imaginatively and in vivid prose. Have you used picture prompts much for other stories you’ve written?
MST: Thank you for your kind words, Cath. For me, picture prompts have provided a useful exercise in letting those creative energies flow: to build a brand new story, which I might not have thought to write otherwise. They can also provide fresh ideas, boost confidence, and are a brilliant method to get that keyboard tapping. I should use them more often.
What other kinds of stimuli do you use for your writing?
My fictions tend to arise from all sorts of different sources: perhaps a blurry, re-imagined glimpse from hazy memories; perhaps an overheard snatch of conversation, or an intriguing bon mot, stripped of its original context; however, instead it often comes from a slab of bureaucratic lunacy to which I cannot help but administer a good old British lampooning. For example, my story which won the inaugural ‘To Hull and Back’ humorous short story competition stemmed from an occasion at work where we were made to express our activities as a fraction of an integer onto a timesheet coded with 14 different colours, then upload them to a shared disc drive defined by a dollar sign, a wiggly squiggle and a pair of square brackets. Figuring out what that meant proved fruitless for the purpose it was intended, but I did get a good comic story out of it.
Of the books you’ve read this year, which one would you most recommend and why?
Jasper Fforde’s ‘The Eyre Affair’, and also its first three sequels. They’re full of literary references, are extremely funny, and Fforde himself is a superb plotsmith. Prior to reading them, I ploughed through Charlotte Bronte’s ‘Jane Eyre’, under the impression some background knowledge would be helpful. As it turned out, that wasn’t entirely necessary; his books are a good way to glean a broad understanding of the classics without having to embark on marathon reading sessions. (That said, I did like Jane Eyre too.)
If you could have three wishes granted for your writing, what would they be?
Well, I’m still haunted by the events of W.W. Jacob’s ‘The Monkey’s Paw’, having first read it decades ago. If I did indeed wish for flawless first drafts, a lucrative lifetime publishing deal, and hundreds of millions of impatient and adoring readers, then what macabre consequences would accompany such desires? (Besides, it’d be cheating.) Instead, I’d wish to become more of a morning person (so I can fit in writing shifts before starting the commute), an approximate 10% increase in self-confidence in my writing ability (too much would be damaging, I feel), and a fervent desire that nobody in the world – ever, ever again, ever – misspells my surname with a ‘p’.
Bio: Mike Scott Thomson’s short stories have been published by journals and anthologies, and have won or placed in a few competitions, including ‘To Hull and Back’, InkTears, and Writers’ Village. Based in south London, he works in broadcasting. You can find him online at http://www.mikescottthomson.com and on Twitter at @michaelsthomson.
This a story for anyone who has ever had computer problems, so that’s all of us. My computer went pop earlier this week and had to go to the computer hospital. It is now back, restored to health. What a relief.
Feely (pictured on the chair at which I sit to use my computer) is a male cat, so obviously not the one in the story!
This a safe attachment, trust me
I clicked on the attachment to the e-mail. Next thing there were multiple windows opening and reopening again as fast as I closed them. The screen was pulsating with the speed of it but I didn’t panic, just turned the computer off and went to make myself a cup of coffee. It was a shame that the cat got under my feet and hot coffee spilt on her, but I still didn’t panic.
Rebooted, the computer seemed fine. But as I started typing a document a little dog strayed onto the screen.
“Woof,” it went.
“Woof to you,” I said, “go away.”
“Won’t,” it said. I turned off the sound. I was not going to be dictated to by an animation.
“Be careful,” said the cat, from her seat behind me.
I whirled round. The cat was curled up like a cinnamon whirl, apparently dead to the world. I turned back to the computer. The dog on the screen had started eating my text and spewing it out of its backside in a mangled heap of letters.
This was too much. I started banging the desk, remembering too late what this would do to my collarbone.
“Ow!” I yelled, as pain shot up my arm.
“You should be more careful,” mewed the cat gleefully.
I’m thinking of selling the computer. Pen and paper have a safe track record, and no attachments with hidden secrets to trip you up. Perhaps I’d better ask the cat. She’s offering opinions on everything now.
Shortlisted in Helen Yendall’s blog about writing comp April 2013
Published on PostcardShorts (www.postcardshorts.com) on 26.05.13
It’s National Flash Fiction Day in the UK tomorrow, 16th June. Every year there’s a Flash Flood of stories. My story The curious incident of the pig in the café was included in the Flash Flood a couple of years back.
This year I have a micro story included. It’s called Lonely Hearts and it’ll be published here at about 1.50pm (BST) on 16th June.
The curious incident of the pig in the café
It was that elusive thing, the first day of summer. The day when you fling off your cardies and your winter boundaries. So it was that at 12 noon sharp Charmaine and Sophie could be seen emerging from the dingy office where they worked, heading for Porky’s Pizzeria, just up the street. The local dosser, Ed the Rags, was sitting in a doorway crying out for the price of a cup of tea as usual.
There was a queue at Porky’s. As usual. The girls were happy to wait in the sunshine for their “You must be smoking!” specials with smoked cheese, bacon, pepperoni and smoked sausage. As they had their faces raised to the sun neither of them noticed Ed the Rags approaching. Someone must have slipped him a fiver. He pushed to the top of the queue and no-one tried to stop him, be it out of guilt or revulsion, because he ponged something terrible.
Ed got his pizza and emerged from the café dripping cheese and tomato onto the street and himself as he shoved the hot pizza into his mouth. A shout went up from inside. Had Ed run away without paying? It didn’t look like it, the way he was ambling with a beatific smile on his face. But following him and sniffing at his shoes, was a pig. A genuine porker!
Charmaine jumped back and Sophie squealed as her friend’s stiletto nearly pierced her foot. Other people were spilling out of the doorway holding their noses. A pungent odour swirled in the air, and it was not the sweet smell of baking dough mingling with cooked meats, but something altogether more earthy.
Francesco, chef-patron of Porky’s, emerged in a cloud of Italian expletives, waving a tea-towel at the retreating backs of Ed and the porker.
“Finito!” he cried. “Ze lunch is finito. Zat pig has made escremento in my café. Eet is a dirty dog.”
People watched as Ed the Rags and the pig processed down the street. Ed seemed to remain blissfully unaware of his follower, engrossed as he was in the rich flavours of his pizza. Then the pig must have pulled at his coat, because he turned and saw it. What he did next was either poignant or gross, depending on your point of view. He bent down and offered the beast his last piece of pizza. The pig swallowed it whole and ran off down the street.
It turned out that the pig had escaped from a lorry that was taking it to market and run in the open back door of Porky’s. It’s now gone to live the rest of its days in a community farm, where it may not get pizza but children feed it other titbits daily. Ed the Rags got his his toothless grin in the local paper and some kindly old soul has paid for him to have pizza every week from Francesco.
As for Porky’s, it’s thriving more than ever, it’s name finally justified!
First published in National Flash Fiction Day Flash Flood, June 2016