Earlier this month I wrote about joining when The Lonely Crowd, when my story The Wood has Ears, The Field has Eyes was published in the magazine of that name.
I’ve now written an essay about how I came to write the story and you can read it here
That particular story is one of what I hope will be a collection of short stories inspired by the work of Hieronymus Bosch. Read more about how that came about in my essay.
Owls feature in Bosch’s work and in mine. They are beautiful creatures – but are they always benign?
Statue on flying buttress, St John’s Cathedral, Den Bosch, The Netherlands
(Photo: Cath Barton)
While you’re here, do hop over to my Stories page for links to my latest flash fiction on-line.
Sometimes the process of writing is clear; other times less obvious. There is a period of collection, or collation, of material. Then a period of gestation before a way forward presents itself. It is good to be patient.
Travelling produces material, willy nilly.
I have been in Cornwall this weekend. What will come of it for my writing remains to be seen. I am sure that there will be something. Meantime, here is an inspirational image. Feel free to make use of it!
Sea mist encroaching
I’ve been experimenting with black and white photography over the past few days. Using a setting on my camera called ‘high-contrast mono’ I’ve achieved some unexpectedly pleasing results.
Wheelbarrows in the walled garden at Croft Castle
It’s also got me thinking about how working in monochrome can translate into writing. We often talk about introducing colour into our work, but what about stripping it away? What about, instead, concentrating on shape, pattern and contrast?
What do other people think?